Відео

🔥

midi pls 2

midi pls waza

5:06

Белеберда

Beethoven wrote 33 variations to this same tune

SMN4-Outro Song-Made with Piano

beautiful composition

He was already Liszt at 1:00

11 year old Liszt composed this. It was his first composition.

I want to play it like that so hard now, but my technique is not as good yet...

0:22 why that part sound so good, i can stop hearing it..

Очень приятное произведение 😊❤

I used to listen to Peter Frankle. When l played my father called me Peter Fankle. He was funny.

No puedo explicar con palabras, el éxtasis que me produce escuchar está obra de arte, leyendo al mismo tiempo la partitura

I never tire of these lovely miniatures.

13:40 V.A.Mocarts - 40.simfonija 3.d. pamattēma

2:14 (ignore)

20:10 It's from some other work, but which one? I can't remember!

exactly 10k view lol

14:32

The bouree 2 upper mordent on the E note is killing me for some reason

Je ne connaissais pas ce pianiste ! Il joue magnifiquement… Beaucoup de nuances !

Alimenta mi alma goza de placer por cada nota de le preux gracias alkan

24

This is an easy piece ❤

22:00

I suspect this inspired "Wanderer of Time" from Final Fantasy VI.

2:54 3:55

it's so silly i love it

This sounds like something you’d improvise while playing around on your keyboard half asleep at 2AM

2:34

楽譜を見ると譜読みしづらい。さすがリスト。歌部分と伴奏を同時に弾き、すべての指を万遍なく酷使する。後半はリストの華やかな名人芸が炸裂。

The opening melodic phrase is likely borrowed from Charles-Marie Widor's Organ Symphony No. 5, opus 42, Andante Cantabile (2nd mvt.), composed in 1879.

1:44:48

❤❤❤❤❤

2:12 3:43 5:25

Jacob Tremblay scream

1:48:45 I actually started laughing at this 😂

지워지지않을 그 연둣빛과도 같은 나, 상감마마 미워요이니라.

Underrated

But who was the conductor? Personally, I did not like the interpretation, but maybe it's only the flat recording, or else it's my computer, not the ideal. Usually I listen to CDs on a stereo system.... Anyway, the music is so amazing. When I first heard the finale conducted by Otto Klemperer (I was about15), I thought it was the personification of the inexorability of destiny, even more than Beethoven's fifth symphony. Beethoven is dramatic, Mozart is tragic and fatal like an ancient Greek tragedy. He ends the symphony in G minor, does not convert to G major as Haydn and Beethoven would have optimistically done. But Mozart soon recovers: in fact this symphony is immediately followed by the glorious and triumphant C major of the Jupiter Symphonie......

2:08 it's like an horror soundtrack from a movie.

gotta hear this with musescore4 musehub

Hanibal Red Dragon 😅

1:17

UwU

Very well done!

I don't even believe in heaven, but this simply gives me the need to put flowers on Schumann's grave.

Liszt's little variation shows a lot of interesting promise. 😅